World Photography
  • WHITE CUBE 商店
  • PORTFOLIO 作品集
    • FILMOGRAPHY 影片集锦 >
      • DRAGON TEARS
      • MEMORY THEATER
      • TREE SPIRIT
    • PHOTOGRAPHY 摄影 >
      • CHINA >
        • NAXI DONGBA
        • DRUNG
        • Prayer Flags, Shangri-la
        • Yubeng village, Shangri-la
      • INDIA >
        • Himalayan Nomadic Region
        • Ancient Palace, Leh, Ladakh
        • Srinagar, Kashmir & Jammu Province Northern India
      • MONGOLIA >
        • Middle Gobi Desert
      • LANDSCAPE PHOTOGRAPHY
      • WORLD PORTRAITS
    • SACRED ART 神圣的艺术 >
      • The Painting-dress: a ten year Neo-shamanic interdisciplinary art project
      • neo-shamanism prayerformance
    • EXPERIMENTAL ART 实验艺术 >
      • Experimental video >
        • NEIRIKA (experimental video)
        • DMT experimental video
        • The Painting Dress
      • Performance art >
        • I am a dog
        • The sculptor
        • Building a nest for my love and I
        • I"ll show you happiness
      • Elvish-poetess >
        • Angel of Poetry
        • Ritual Poetry
        • Melody of an Angel's Heart
        • Honey Season
  • POLITICAL ECOLOGY 政治生态学
    • ACTIVISM Scholarly Articles 行动主义 学术文章 >
      • DRAGON TEARS A CRITICAL ANALYSIS ON THE POLITICAL ECOLOGY OF PLANETARY SURVIVAL
      • Policy-oriented Macro-analysis: China's Freshwater & Health Crisis an Essay on the Techno-industrial Puppetry of Oligarchic Dictatorship
      • FIPA Canada-China: International Trade Law and Water
      • Kinder Morgan Trans Mountain Expansion Project Memo       Decarbonizing Canada’s economy
  • ECOLOGICAL ACTIVISM 生态活动主义
    • ECOSOPHY
    • DRAGON MYTHOS
  • DIVINE MOLECULAR THEATRE (DMT)
    • ENTHEOGENS What is DMT?
    • DIVINE MOLECULAR THEATRE (DMT)
    • MAGIC MUSHROOMS
    • PINEAL GLAND THIRD EYE ACTIVATION
    • ALIEN
    • PSYCHEDELIC CARPET visual-music pattern
    • SACRED GEOMETRY
  • ANGEL BIRTH (ENTHEOGENS) 天使诞生天使诞生
    • ANGEL BIRTH: LIGHT & DMT SPELL
  • ABOUT THE ARTIST 艺术家介绍
    • ARTIST STATEMENT 艺术家声明
    • BIOGRAPH 传记资料
    • NEIDRYA
  • CONTACT 联系方式
  • 仙女和不明飞行物之间是什么关系呢? What is the relationship between fairies and UFO's?

BÉRANGÈRE MAÏA NATASHA PARIZEAU

Picture
My name is Bérangère Maïa Natasha Parizeau. I am a French-Canadian scholar, filmmaker, inter-disciplinary artist, photographer, published researcher, poet, vegan, yogini (elf), meditator, eco-feminist, environmental advocate and consciousness activist. I am the director of the cutting-edge animated documentary “Dragon Tears;” this film is currently in production. “Dragon Tears” is a feature film on the political ecology of planetary survival.  In May 2006, I graduated with a Master of Fine Arts, majoring in film, video, and performance art from California College of the Arts in San Francisco. In 2006, I left California for China, where I lived, worked and travelled for a few years. During this time, I had the opportunity to study Mandarin at Fudan University in Shanghai, China.  I am currently becoming perfectly fluent in Chinese. In 2007, I began researching China’s water crisis. In October 2017, I graduated with a Master of Arts in Asia Pacific Policy Studies (M.A.A.P.P.S.) from the University of British Columbia in Vancouver, Canada. My  thesis “Dragon Tears: a critical analysis on the political ecology of planetary survival” was intentionally effectuated as core research for the film.  It was also one of the best of my program. In 2015, I was appointed as a research assistant in China by my supervisor Dr. Pitman B. Potter.  This appointment was offered under the umbrella research project “Coordinating Performance in International Trade and Human Rights Asia Pacific Dispute Resolution Program," offered through the Asia Pacific Dispute Resolution (APDR) Research program awarded by the Social Sciences and Humanities Research Council of Canada under its Major Collaborative Research Initiative  (MCRI) Program.  Dr. Potter is a highly respected human rights lawyer, a People’s Republic of China/Taiwan law, policy, foreign trade, and investment scholar, a distinguished professor at the Peter A. Allard School of Law at UBC, as well as HSBC Chair in Asian Research at UBC's Institute of Asian Research, the department under which my program of study was offered.  Dr. Potter has introduced the concept of human rights in China in academic circles over the last few decades.  My position as a research assistant consisted of gathering materials in Mandarin on environmental policy and law in China, including interviews with officials, experts, and scholars.   During this time, I was expected to work on the production of “Dragon Tears,” which I did.  As part of this project my 30-page article “Policy-oriented Macro-analysis: China’s Freshwater & Health Crisis an Essay on the Techno-industrial Puppetry of Oligarchic Dictatorship” has been published on the APDR website, UBC's Institutional Repository (cIRcle), and the Social Sciences Research Network (SSRN). On October 27th, 2017, I was invited to present my research at the UBC Allard School of Law as part of the “Coordinating Performance in International Trade and Human Rights Asia Pacific Dispute Resolution Program Summary Conference” supported by the MCRI at the Social Sciences and Humanities Research Council of Canada (SSHRC).


cIRcle permanent address: http://hdl.handle.net/2429/64568
SSRN: https://ssrn.com/abstract=3118538